A change in my notation occurred in about 1995. Previously I had adopted a semiotically information-rich notation that I thought conveyed a considerable amount of useful information to the perceiver. However, a couple of decades of explanations and performances seemed…
Someone recently described Carl Rosman, precisely, as ‘the Compleat Musician’. Clarinetist extraordinaire, conductor, educator, I’ve known Carl for 25 years now, and not only is he is one of my favourite people, but also at the top of the list…
Those who have visited this site before will have noticed that a new page has appeared dedicated to the nearly-completed study score of my 1985/2019 String Quartet. The version of the score that we have posted is, at this stage,…
I am pleased to be able to announce that the Australia Council graciously funded my ‘isolation schedule’ program of new works—These projects will have been assisted by the Australian Government through the Australia Council for the Arts, its arts funding…
In my recent interview for Score Follower I referred to a remark in an article in the New Yorker that said “The winner-take-all economics of online media … means that if streaming doesn’t work for jazz and classical music, then…