Samuel/Coleridge-Taylor/Perkinson

When I was in my early teens I used to grab any and all piano music I could find in the local library, from Tom Lehrer songs to Mompou to Ignacio Cervantes. One of my favourite things to loan and…

Been down so long it looks like up to me

Well, it has been a while since I committed anything to the blogosphere. Like many people, I have found my outlook gradually turning inward, and have had a diminished interest in engaging with my friends or broader network. And, as…

luminous, ghosts of motion …and beyond

I have been notably absent from the blog over the last three or so weeks. This is a consequence of my being nosedown in a pair of pieces, both now provisionally finished. The first is luminous for solo vibraphone, written…

The Notation Game

A change in my notation occurred in about 1995. Previously I had adopted a semiotically information-rich notation that I thought conveyed a considerable amount of useful information to the perceiver. However, a couple of decades of explanations and performances seemed…

An industry-mandated musical monoculture

In my recent interview for Score Follower I referred to a remark in an article in the New Yorker that said “The winner-take-all economics of online media … means that if streaming doesn’t work for jazz and classical music, then…

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