Samuel/Coleridge-Taylor/Perkinson
When I was in my early teens I used to grab any and all piano music I could find in the local library, from Tom Lehrer songs to Mompou to Ignacio Cervantes. One of my favourite things to loan and…
When I was in my early teens I used to grab any and all piano music I could find in the local library, from Tom Lehrer songs to Mompou to Ignacio Cervantes. One of my favourite things to loan and…
Well, it has been a while since I committed anything to the blogosphere. Like many people, I have found my outlook gradually turning inward, and have had a diminished interest in engaging with my friends or broader network. And, as…
I have been notably absent from the blog over the last three or so weeks. This is a consequence of my being nosedown in a pair of pieces, both now provisionally finished. The first is luminous for solo vibraphone, written…
A change in my notation occurred in about 1995. Previously I had adopted a semiotically information-rich notation that I thought conveyed a considerable amount of useful information to the perceiver. However, a couple of decades of explanations and performances seemed…
In my recent interview for Score Follower I referred to a remark in an article in the New Yorker that said “The winner-take-all economics of online media … means that if streaming doesn’t work for jazz and classical music, then…