Publications
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Categories
The iso-études
Solo Woodwind
Solo Strings
Solo Keyboard
Solo Guitar
Percussion
Chamber Music
Ensemble Works
Chamber Opera
Large Ensemble and Orchestra
The iso-études
- Luminous (vibraphone) (12′) (2020) [score published by Smith Publications, Sharon, VT]
- Dark integers (vibraphone) (12′) (2020) [score published by Smith Publications, Sharon, VT]
- ghosts of motion (clarinet d’amore) (11′) (2020)
- Arcanabula (bassoon) (14′) (2020)
- in Platonia (bass clarinet and piano) (~25′) (2008–24)
- Resuscitatîve (contrabass) (12′) (2021)
- un petit mot crabe-c’est-ma-faute (trombone & untuned percussion) (12′) (2021)
- chronology horizons (piano) (~32′) (2021)
- the effort to return to the cities of the sane (bass clarinet) (10′) (2022)
Solo Woodwind
caught breath of time (flute doubling altoflute) (10′) (1982)
Flute Tetralog 1 for Laura Chislett
- Venezia (flute) (2′) (1986)
- piccolo fragment from Dark Neumes (piccolo) (2′) (1987)
- A.R.T.A.U.D. (bassflute) (3′) (1988)
- gelb : violett (altoflute) (7′) (1989)
dé/ployé (piccolo) (8′) (1987)
sulle scale della Fenice (flute) (10′) (1986–89)
closing lemma (flute) (10′) (1987–91)
Flute Tetralog 2
dawn is a girl, removing her necklace of stars (flute) (12′) (2017)
seven types of time machine (flute) (18′) [in preparation] (2012-21)
AKJH (wooden closed-hole flute) (8′) [in preparation] (2017– )
- geminy (flute) (18′)
- geminy A & B (flute) (8′ + 8′)
Flute Tetralog 3
rainpagodas (altoflute) (10′) [in preparation] (2003– )
apricity (bass flute) (10′) [in preparation] (2017– )
heliotropic (piccolo) (12′) [in preparation] (2017– )
Brâncuşi’s Birds (flute) (15′) [in preparation] (2017– )
time (solo bass or basset clarinet) (6′) (1979)
ruins within (clarinet in A) (10′) (1992–94)
the sadness of detail (2002)
ghosts of motion (clarinet d’amore) (10ʹ) (2020)
the effort to return to the cities of the sane (10′ 30″) (bass clarinet) (2022)
burns (alto saxophone) (6′) (1989)
‘e/meth (oboe or soprano saxophone) (10′) (1995)
〈ʀ〉emote (soprano saxophone) (10′) (2023)
shards (solo recorder: playing bass, tenor, alto, soprano, sopranino, garklein) (18′) (2011–12)
Arcanabula (bassoon) (14′) (2020)
Solo Strings
Resuscitatîve (contrabass) (13′) (2021)
Solo Keyboard
Organ
compostela/finisterre (large organ) (18′) (2005–06 extended 2009)
Harpsichord
‘…flickering instantiation…’ (11′) (2024)
Piano
topologies (12′) (1978)
chronology horizons (32′) (2021)
Phase Portraits
Book One
zero-knowledge protocols (2′) (1973)
tenebroso (6′) (1978/2003)
dancing qualia (10′) (1978/ )
tiento de medio registro alto (3′) (1978/2003)
small box of time (8′) (2013/ ) [adapted from marimba solo]
Pas Seul I: reading Takahashi (3.5′) (1979/93)
Appendix to Book One
Pas Seul III: rushes (piano duet) (6′) (1979/96)
Book Two – [microsonata]
into the wormworks (6′) (1984/95)
Appendix to Book Two
mem(e) (bassflute and piano) (5′) [Red House edition] [currently under revision] (1994)
Book Three – the heretical bagatelles
BD & double [Brett Dean] (4′) (2009)
AG [Anna Goldsworthy] (3′) (2008/12)
KS [Kathryn Sullivan] (2′) (2009/12)
AB 1- 7 (Ordre pour piano) [Andrew Bernard] (15′) (2014– )
flex for AR [Alex Raineri] (7′) (2017)
PdeJ 1 (facetiae) [Peter de Jager] (9′) (2017)
PdeJ 2 (austerer measures) (6′) (2017)
PdeJ 3 (laminar flow) (12′) (2022)
- [When all three PdeJ pieces are performed as a group they should be referred to as the Sonata de Jager]
Quiescence for BP (10′) (2022)
MK [Mark Knoop] (5′) (2017– )
forAY [Adam Yee] (5′) (2017– )
JD [John Davis] (5′) (2017– )
Book Four
the heart’s algorithms (13′) (1993/99–2002)
ik(s)land[s] fragment (2′) (1997/98)
(the) Barry Jones Dances (15′) [in preparation: versions for harpsichord or piano] (2013– )
Solo Guitar
asymptotic freedom (17′) (1997–99) [Red House edition]
in Chasm City (7-string electric guitar) (19′) [edited by Mark Wilson] (2018)
Percussion
small box of time (pedal marimba) (8′) (2013)
Luminous & Dark Integers (two pieces for vibraphone) (12′ + 12′) (2020)
beyond status geometry (percussion quartet) (20′) (1995)
Chamber Music
String Quartet (65′) [rewrite completed–score forthcoming] (1985/2019)
sum over histories (bass clarinet, contrabass clarinet + string trio) (15′) [new version] (2006/18– )
fundamental processes (10-string guitar + trio basso–viola, cello, contrabass) (20′) [new version] (2008/18– )
funk (bass clarinet and untuned percussion) (10′) (1988–89)
‘atsiluth/shîn (flute, bass clarinet, and piano) (12′) [currently withdrawn for revision] (1991)
from n(ich)t (mezzo-soprano, recorder, guitar) (6′) (1999)
Liminal (cello and piano) [currently withdrawn: score being recopied] (8′) (1978/2004/2018)
Blood Music (clarinet, seven-string electric guitar, and quarter-tone vibraphone) (13′) (2005)
e(i)ther (violin and piano) (13′) (2005)
an Hypallage (mezzo-soprano, baritone, harp (or piano)) [text: Lawrence Sterne] (3′) (2008)
diurnal (soprano and drone) [text: Arthur Haswell] (8′) (2014)
polyme(t)ric threads (E flat clarinet & soprano saxophone) (12′) (2017)
un petit mot crabe-c’est-ma-faute (trombone & untuned percussion) (12′) (2021)
in Platonia (bass clarinet and piano) (~20) (2008-24)
Ensemble Works
énoncé (sixteen instruments) (18′) (1983–84)
recueillement (baritone voice, flute, oboe, clarinet, trombone, percussion, violin, viola, cello, bass) [text: Baudelaire] (12′) [currently withdrawn for revision] (1986/ )
eigenmomenta (flute, clarinet, piano, percussion, violin, cello) (10′) (2000–01)
light-strung sigils (recorder, flute, clarinet, piano, percussion, violin, cello) (15′) (2001–02)
Agnî (from Agnî-Prometheus-Lucifer) (sixteen instruments) (10′) (2006)
Prometheus (from Agnî-Prometheus-Lucifer) (sixteen instruments) (20′) [currently withdrawn for revision] (1991–)
Lucifer (from Agnî-Prometheus-Lucifer) (solo flute and fifteen instruments) (10′) [currently withdrawn for revision] (1992/2017– )
flux (two flutes, clarinet, piano, percussion, violin, cello) (18′) (2016)
Chamber Opera
We (soprano, mezzo-soprano, tenor, baritone, bass voices, and ensemble) [libretto: Dustine Barnes, after Zamyatin] [in preparation] (80–120′) (2010–
Enoch Soames, a chamber opera after Max Beerbohm [libretto in preparation]
Large Ensemble and Orchestra
Symphony 1 (orchestra) (18′) [currently under re-orchestration] (1977–80)
Symphony 2 for three brass trios and percussion (20′) [currently withdrawn for revision] (1982/ )
Symphony 3: afterimages (orchestra) (20′) [currently under revision] (1987/ )
Symphony 4 (four voices and large orchestra) (21′) (1994–97)